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Great Expectations by Charles DICKENS - Literary Analysis

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  • The Development of Pip’s Character in Great Expectations | Essays of a Young Philologist.
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The Picture of Dorian Gray. Pride and Prejudice. Wuthering Heights. Havisham, Pip would still be living in Kent, miserable. Miss Havisham taught Pip many things over the years he met with her which made it hard for him to leave her alone, but it helped him realize how much he could achieve and what he can and will achieve in his future. Throughout the novel, Estella portrayed a role as a young woman who treated men with disrespect, which is the way Miss. Havisham raised her. Since she had been raised this way, her feelings and emotions were limited: she couldnt truly love anyone.

As Pip calls for Estella while at Miss. Havishams house, her light came along the dark passage like a star, but at that moment, in Pips eyes, Estella was the star, not the candle she was holding Her magnificent.


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Almost every trip that Pip traveled back to Kent, he went to visit Estella, or Estella wished to see him. By the conclusion of the novel, Estella never admitted that she loved Pip, but Pip knew she had her own heart and her own feelings, not what Miss. Havisham told her she had or could have. Estella says, I have no softness [in my heart], no sympathy sentiment nonsense, with no emotion in her face Estella learned to hide her feelings from others; however, with Miss. Havisham gone she has the freedom to let them out. She learned to be her own person, not the person Miss.

Havisham told her to be. Throughout this gothic novel, love was portrayed as good and evil. Joe had anger issues that she took out on Pip and Joe by abusing them, but deep down, she loves them both dearly. They were her whole life. Havisham enjoyed Pips company because she had someone other than Estella to converse with, and when Pip finally left for London, she was alone again.

The Development of Pip’s Character in Great Expectations

Havisham led a boring life but Pip made it worthwhile. Pip wishes Estella would see him differently: as more than a friend.


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  8. In the end, Pip learned may things about himself that he never would have gotten the chance to learn if it were not for the women in his life. Havisham, and Estella all had significant lessons that Pip cherished forever. Each women changed not only his life, but his identity. Read Free For 30 Days. Much more than documents.

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    Great Expectations - Literary Analysis ⇒ Free Book Summary

    Related titles. Both Codlin and Dickens determine the economic value of human sentiment in advance, a misanthropic enterprise certainly, one that reveals artistic freedom and individuality to be an illusion of modern capitalism rather than an expression of the human spirit. The excess of maritime tales is a celebration of the plenitude of the storied sea; it also celebrates a communal culture that extends the generic range of the novel beyond the confines of realist fiction. The first part of the essay, taking a narratological line, focuses on Walter Gay, less important as an individualized character than as a site of multiple sea stories.

    These incidents are thematically linked and historically connected to several disputes between Dickens and lawyers. This shared preoccupation demonstrates that antagonists on the issue of the rights and responsibilities associated with telling tales have more in common than their mutual accusations of licentiousness suggest. Not only does the novel employ the scope and intricacy of romance in order to advance a vision of society as an integral whole, but it ultimately posits labor and even, to a significant degree, the exploitation of labor as fundamental social factors.

    A close examination of the novel, in fact, raises the possibility that the text serves not as an act of penance or of public forgiveness for those who have harmed its author, but rather as the last in a series of strategies of vengeance for Pip. More covertly, it reflects her sympathies with those who would block working-class male suffrage. In dismissing the importance of legislative politics to effect change, the novel suggests that legislative reform, based on gender or class, is unwarranted.

    This essay, then, points to some of the ways that setting cultural against legislative reform, as some recent literary and cultural criticism has done, can bolster conservative legislative movements.